Monday, July 18, 2011

The Shanghai Address, Part 1 of 3

Art's pencil sketch of some Navy friends.

The following is a speech that Art presented at a Southampton Methodist women’s club sometime during the second half of 1950.

Art with a monkey on his
shoulder that he cared for
while in Shanghai.  It was
a tradition on the ship for
the Quartermaster to take
care of the monkey.  Art
was not overly fond of his
temporary pet.
I was in Shanghai in December of 1945 and January of 1946, but I don’t think the Chinese I saw there would be typical of all the Chinese people.  At least, I hope not.  I was at the Naval Operating Base there and later on board a ship tied up along the riverfront down the river from the city proper.  Most of the people I saw were the ones who lived right on the river.  You’ve probably heard of the Shanghai waterfront where hundreds of thousands live on sampans all their lives.  The slips in the river were constantly surrounded by these people, begging or trying to sell us souvenirs.

There was one family that lived on their boat at the stern of the ship I was on.  For two weeks, they stayed there simply to pick up the garbage that was thrown out of the galley.  The cooks would lower the garbage can to them on a rope, and they would dump it into boxes or anything they had. There were two women, a girl, and a baby living on that boat.

Art's pencil sketch of
a beggar in Shanghai.
The people were so terribly poor they would pick up anything that floated in the river: paper, sticks, boards, anything at all.  And if it didn’t float, there were other boats that dragged the bottom with long rows of fish hooks tied to sticks to pick up scrap iron off the bottom.

While on this ship, an LST (Landing Ship, Tank), they had the hull chipped and painted, from bow to stern, by coolies.  In the states, it probably would have cost thousands to have civilians paint that ship.  There it cost about $20 and that included a contractor’s fee.

One day while the coolies were on board, we had some rice for chow that the ship had picked up in Shanghai.  It was so alive with worms you could hardly see the rice, but before anyone could throw their rice over the side the coolies took it and ate every bit of it.

In this country, it’s hard to realize how strong the caste system is in China and other countries.  At N.O.B., the Naval Operating Base, they had hundreds of them working, young boys and old men worked side by side with no thought other than that they would always be coolies, as their fathers had been and their children would be;  all they ask is enough to eat to stay alive.  They were laying a cement floor on the second floor of a big warehouse converted into our barracks.  All day long they trudged up and down the stairs with half of a 50-gallon drum slung between them filled with cement.  The stairs in all the warehouses were built with steps only two or three inches high so coolies could carry heavy loads up and down them.

To be continued...


This may be the LST mentioned in the speech.

(Tomorrow – part two of Art's speech on Shanghai.)

© 2011 Lee Price

Saturday, July 16, 2011

Images of Roulston's

Art working at Roulston's, circa 1950.

A couple more pictures have turned up of Roulston’s, where Art worked as a grocery clerk during his courtship with June.  Located on Main Street, the Southampton Roulston’s was one of hundreds of Thomas Roulston & Sons chain grocery stores located in Brooklyn, Queens, and Long Island.  The chain was headquartered in Brooklyn and the oldest stores dated back to the 1880s.  In the 1940s, the Southampton store was managed by Rodney Pierson, a distant relative of Art’s.

Apparently, Art worked briefly at Roulston’s prior to his time in the Navy.  When he returned to Southampton in 1947 after his service as a Navy Quartermaster, he went back to working for Rod Pierson at Roulston’s.

In August 1944 (when Art was 17 years old), Rod Pierson wrote the following recommendation for Art, possibly connected with Art’s looming service in the Navy and/or his application for Quartermaster training:

August 8, 1944
Southampton, NY

To whom it may concern:

Arthur W. Price has been in my employ for the past two months during which time I have found Arthur to be honest, upright, and conscientious in every respect.  I do not hesitate to recommend Arthur very highly.

F. Rodney Pierson


Another image of Roulston's from the time when Art
was working there.


An image of Roulston's, circa 1920.  A special thank you to the
Southampton Historical Museums and Research Center for this delightful
image of old Southampton!

(For Monday – Art's 1950 speech to a women's club about his experiences in Shanghai.)

© 2011 Lee Price

Wednesday, July 13, 2011

Dinner at the Windmill

“Last night, I went to the movies with Frank Hoffman.  Then he and I and Joe Cerullo watched wrestling at the Anchorage for awhile then went to the Polish Hall and saw the rest of the boys there.  Then to Peter’s, took Frank home, and out to Julie’s with Joe.  We stopped at Pete’s again on the way back and met Bruno, Farmer, and Singer there.  Then back to the Windmill to eat, and finished the night at the Hampton Bays Diner.  Finally got home at 4 in the morning.  I stuck to beer all night.  Today I discovered a small dent in my rear fender opposite the driver side.  That’s what I get for parking outside of gin mills!”
                                                                       Art Price
                                                                       Letter to June Anderson, Dec. 19, 1949
                                                                       (Bold emphasis added.)

Located at the intersection of Windmill Lane and Hill Street (Jobs Lane), the Windmill Restaurant was a popular restaurant near Agawam Park (across from the cannon).  Although this is the only time that the Windmill is specifically identified in the letters, the casual mention suggests it was well known to everyone.

Let’s turn back the clock and take a closer look... 

Here’s an exterior shot of the Windmill Restaurant, dating to the time of the letters:



Here’s an interior view with the Windmill’s staff:



And finally, here’s a menu from the Windmill (with 1950 prices!), as reproduced from The Southampton Press:


A special thank you to the Southampton Historical Museums and Research Center and the Rogers Memorial Library for these great images of Southampton, circa 1950!

(For Friday – Images of Roulstons.)

© 2011 Lee Price

Monday, July 11, 2011

Songs of Summer 1950 (Part 3 of 3)


Continued...  A romance in the Hamptons wouldn’t be complete without a trip to the beach.  For this brief series, June’s and Art’s beach photographs will be accompanied by the number 1 hit songs of 1950.

The #1 song in August 1950 was “Goodnight, Irene,” a folk standard performed by The Weavers with an orchestral arrangement by Gordon Jenkins.

“Irene, goodnight,
Irene, goodnight,
Goodnight, Irene,
Goodnight, Irene,
I'll see you in my dreams.”





And then June must have taken the camera and snapped the only picture in the bunch of Art on the beach.


(For Wednesday – A trip inside the Windmill Restaurant.)

© 2011 Lee Price

Sunday, July 10, 2011

Songs of Summer 1950 (Part 2 of 3)



A romance in the Hamptons wouldn’t be complete without a trip to the beach.  For this brief series, June’s and Art’s beach photographs will be accompanied by the number 1 hit songs of 1950.

The #1 song in July 1950 was Nat King Cole performing “Mona Lisa,” written by Ray Evans and Jay Livingston with an arrangement by Nelson Riddle and backing by Les Baxter and his Orchestra.

“Mona Lisa, Mona Lisa,
Men have named you
You're so like the lady
With the mystic smile
Is it ’cause you’re lonely
They have blamed you?
For that Mona Lisa
Strangeness in your smile?

“Do you smile to tempt
A lover, Mona Lisa?
Or is this your way to
Hide a broken heart?
Many dreams
Have been brought
To your doorstep
They just lie there and they die there
Are you warm, are you real, Mona Lisa?
Or just a cold and lonely lovely work of art?”





(Tomorrow – More songs of summer.)

© 2011 Lee Price

Saturday, July 9, 2011

Songs of Summer 1950 (Part 1 of 3)



A romance in the Hamptons wouldn’t be complete without a trip to the beach.  For this brief series, June’s and Art’s beach pictures will be accompanied by the number 1 hit songs of 1950.

For this particular excursion, Art brought along his camera and, except for one shot, he didn’t share it.  It looks like these constitute June’s glamour shots, goofing around and modeling on the beach.

The #1 song in June 1950 was the Andrew Sisters performing “I Wanna Be Loved,” with words and music by Billy Rose and Eddie Heyman.

“I wanna be loved with inspiration,
I wanna be loved,
Starting tonight!

“Instead of merely
Holding conversation,
Hold me tight!

“I wanna be kissed,
Until I tingle!
I wanna be kissed,
Starting tonight!

“Embrace until
our heartbeats intermingle,
Wrong or right!”


(Tomorrow – More songs of summer.)

© 2011 Lee Price

Friday, July 8, 2011

Goodbye to Shirl

Pencil sketch by June Anderson.

“Shirl’s pretty happy – she insists she’s leaving New York for good… 

“Shirl and I went to the movies last night and probably will tonight and tomorrow night, too.  It’s our last fling.”
                                        June Anderson
                                        Letter to Art Price
                                        August 15, 1950

And that really seems to have been the last fling for June and Shirl.  At this point, Shirley Stahl passes out of the story altogether.  She and June quickly lost touch with each other.  According to family lore, there may have been a mention once that Shirl married and moved to California but nothing’s been found to substantiate this.

Shirl’s family was from Lakewood, New York, a small town in western New York at the south end of Chautauqua Lake near the New Jersey border.  They lived at 303 Forest Avenue in Lakewood.  Shirl’s sister was Evelyn (Evie) Stahl and her mother was Mrs. Pearl Stahl.  The Stahls were Jewish.

Considering the strong ongoing presence of Shirl throughout these letters, you’d think there’d be more information available than that!  We don’t even have a photo of her.  Following the “six degrees” theory of separation, I’ve hoped from the start that this blog would find its way to Shirl or her descendants.  But time is running out and all leads have led nowhere to date.

In saying goodbye to Shirl, here’s a brief sampling of the many good times shared by June and Shirl during this period:

“Shirl and I just had a nice big laugh.  She just showed me the material she bought for the room, then proudly brought out the drapes that she had made and almost finished last night.  At one glance, I knew something was wrong.  Sure enough, they are about a foot too short – they don’t reach the window sill by lengths.  Shirl says that’s why her mother calls her good-for-nothing.”
                                                                             June Anderson
                                                                             Letter to Art Price, Nov. 29, 1949

“About 6:00 tonight, Shirl and I put our laundry in the washing machine down in the basement.  A half hour later, we decided to go down after it.  We went out to get the elevator and there were about five other people waiting for it too.  All were discussing the smoke in the hall.  They were asking, was it a small fire or a large one?  Finally a woman a little smarter than the rest decided that the fire was down below us, probably the basement, and the smoke was coming up through the elevator.  At that, the other people lost their nerve – when the elevator turned up only three people took it – Shirl, me, and the woman with brains.  Well, it worked alright – we didn’t fall to the earth.  Anyway, the woman got out in the lobby and Shirl and I continued to the basement.  Cold air surrounded us there – all the doors were opened.  Three men were there.  Shirl and I innocently went over and opened the machine.  One of the men turned on us with a ‘so you’re the ones’ expression on his face and informed us he was of the opinion that we threw too many clothes in the thing.  It seems the motor had burned out causing all the smoke.  We felt – well, you know.  Any rate, Shirl and I have decided that the machine was just worn out – we didn’t even have it half full.”
                                                                             June Anderson
                                                                             Letter to Art Price, Dec. 6, 1949

“Shirl did homework tonight.  In lettering class, the assignment was to make an envelope for a store – you know, the little paper bags with flaps that they put stockings, ties, etc. in?  Well, we had to make up a store name and design for our envelope.  Shirl had done it twice before and wasn’t pleased with her results.  So she sat down tonight to do it for the third and last time.  At last she finished.  Picking it up to examine it, she announced that she was pleased with the results, then all at once let out a loud groan.  She had put everything on upside down!  The flap was on the bottom.  How we laughed!  Poor Shirl.”
                                                                             June Anderson
                                                                             Letter to Art Price, Dec. 16, 1949

“I’m too pleased to think.  Maybe I can get Shirl to have a pillow fight with me or something.”
                                                                             June Anderson
                                                                             Letter to Art Price, Dec. 20, 1949

(Tomorrow – On the beach.)

© 2011 Lee Price