Saturday, May 21, 2011

A Mystery Fashion Illustration



This fashion illustration by June was packed into storage along with all the Traphagen drawings from 1948-50.  Judging from the style, it’s almost certainly from the late 1960s or early to mid-70s.  But there are no other fashion illustrations from the 1960s forward in the collection so the origins of this particular piece remain a mystery.














(For Monday – rumors about Roulston's.)
 

© 2011 Lee Price

Thursday, May 19, 2011

Long Distance Kisses


Thursday, May 18, 1950

112 West 86th Street
New York City, NY

Dear Art,

It’s awful to go several days without hearing from you.  I’ll certainly be looking for a letter tonight.  I hope you get my first letter soon.  I didn’t mail it till noon yesterday.  I had it in my pocketbook all morning, but had forgotten stamps for it.

They played “If I loved You”* over the radio earlier tonight.  It was a beautiful arrangement and put me in a romantic mood.  Darling, I do love you – and I guess that’s all that really matters.  If you were with me tonight, you might have to fight to tear yourself away from me!  Woof!!!

Shirl’s out with Ted and I’ve been doing homework all evening.  And that’s after working a long day at school, too.  I’m trying very hard to finish in time, but gee, I didn’t realize how much I had to do!  I’m afraid I may not be able to go out with you on Sunday afternoon, darling.  I may have too much to do.

Letterings by June Anderson.
I have to go back to work again now.  There’s nothing new to tell you anyway.  Just the same old thing – I love you and miss you very much.  Now I must go back to lettering.  I’ll be waiting for you Friday.  So, with long distance kisses I say –

All my love,

June

*The arrangement of "If I loved You" that June heard was probably the one released in May 1950 by Dinah Washington with Teddy Stewart's Orchestra.  I don't have a link to that, but here's Dinah Washington singing "What a Difference a Day Makes," her first top 10 pop hit from 1959.

(For Saturday – a mysterious picture by June.)
 

© 2011 Lee Price

Wednesday, May 18, 2011

A Painting for the Metropolitan

Oil painting by Art Price.  There is no record of which of his paintings
he did in preparation for the Metropolitan contest.

Wednesday, May 17, 1950

20 Cooper Street
Southampton, NY

Dear June,

Just two more evenings till I see you, darling.  I miss you, even if it’s only a few days between visits.

I’ve been quite busy today.  I worked in the morning and had the afternoon off.  I went out in the woods and painted for the Metropolitan Museum contest.  Then I came home and finished rotating my tires, washed the windows, and put on the screens for summer.

My folks went to the movies tonight.  I stayed home and put the finishing touches on my painting.  I think it’s finished now.  Soon I’ll head for bed.  I’m looking forward to your letter tomorrow.

I’ll say good night now darling.  I love you so much, sweetheart.  See you Friday.

Lots of love,

Art

(Tomorrow – homework overload.)

© 2011 Lee Price

Tuesday, May 17, 2011

Pearls in the Ash Tray

Tuesday, May 16, 1950

112 West 86th Street
New York City, NY

Dear Art,

Fashion illustration by
June Anderson.
Before I say anything else, darling, please take care of your car.  And don’t let anyone use the ash trays in the back seat.  I left my pearls there.  Remember?

Art, the school has decided there will be no class on Wednesday, the last day in May.  That means I’ll stay here the weekend before that and plan on going home on Monday night.  I hope I get all my homework done in time.  Right now it looks kind of hopeless.  There are only 11 more days of school and I have at least that many assignments – big ones, too.  I’ve been working right up till now and I’ll do some more as soon as I finish your letter.  I’ll need to work hard every night this week and next week.

What’s new in Southampton, darling?  I hope you’re being good.  Shirl just said that you’re probably out drinking with the boys tonight.  I said you weren’t.  I am right – aren’t I, darling?

Oh, sweetheart, I had such a nice time with you this weekend.  Why do they have to go by so fast?  It gets harder and harder to leave you.  My, I’m getting torrid, darling!  Maybe you had better tear this letter up.

I had such a wonderful time with you, darling.  I miss you, already.  Only three more nights without you, but, oh, such long ones.

All my love,

June

(Tomorrow – painting in the woods.)

© 2011 Lee Price

Monday, May 16, 2011

I'd Rather See You Than Write


Monday, May 15, 1950

20 Cooper Street
Southampton, NY

Dear June,

Darling, I love you.  I’ve been sitting here, half listening to the radio, and trying to start this letter.  I think I’ve fallen out of the writing habit.  I’d rather see you than write.

I have tomorrow afternoon off so I’m going to try and paint.  I feel I should get to work on a really good painting.  I received a whole lot of forms and literature from the Metropolitan Museum of Art about the big contest they’re having.

Sketch by Art Price.
We had a busy day at work.  Afterwards, I worked till dark rotating my tires.  I’m a little sleepy tonight. 

I love you so very much, sweetheart.  Take care of yourself.  See you Friday night, darling.

Lots of love,

Art

(Tomorrow – pearls in the ash tray.)

© 2011 Lee Price

Sunday, May 15, 2011

I Only Know I Love You

Horses, an oil painting by Art Price.

Thursday, May 11, 1950

20 Cooper Street
Southampton, NY

Dear June,

I’m so glad I’ll be seeing you this weekend.  I love you so much, darling.

I’m glad to hear your move went smoothly or should I say that Shirl moved you okay?  It sounds like you’re really setting up housekeeping.  I’ll bet you’re going to enjoy that apartment.

I didn’t do much of anything last night.  I was planning to do some work on my car this morning but it rained – as it always does on my day off.

Thanks for the phone number, darling, but I hope I won’t have to use it before I see you again.  All I’ve done this morning was get a haircut.  When I got home, your letter was here and so here I am writing.  Tonight I’ll go to art class and then on Friday night I’ll be in heaven with you.

Take good care of yourself my precious sweetheart.  So long for now.  They’re singing, “I only know I love you” on the radio.  I know I do.

Lots of love,

Art

© 2011 Lee Price

Wednesday, May 11, 2011

How to Cook Potatoes


Fashion illustration
by June Anderson.

Wednesday, May 10, 1950

112 West 86th Street
New York City, NY

Dear Art,

Well, darling, we cooked our first meal in the new apartment tonight and I still feel alright.  Shirl made most of it – I had to stay after school for quick sketch.  But I supervised the cooking of the potatoes – she wanted to take them off when I came in, but I made her leave them on for 15 more minutes.  They came out just about right.  Just listen to me brag!  And wait till tomorrow – when I’m supposed to do most of the cooking!

Really the only trouble here is that they’ve turned off the heat already.  It gets really cold at night.  I hope hot weather comes quick.  Aside from that, this place really is cozy and homey.  I’d like you to come in sometime to see it.

I was talking to June O’Neal today. She kind of frightened me.  I found out she’d been going out with a boy for over a year and they were pretty serious, too.  Yet they broke up.  After such a long time, too.  I hope, darling, I’m in no danger of having that happen to me.

Shirl’s out with Ted – they are still going strong.  I’ve been here alone for about two hours and haven’t done a thing, just listening to the radio and reading.  I really must do some work now.  I’m way behind.

They just finished playing “My Love Loves Me”* on the radio.  Do you, darling?

Don’t forget – I’ll be home on Friday and waiting for you.  Oh, darling, why does the week have to be so long – and the weekend so short?  I miss you so.

All my love,

June

* The link is to a version by Anita Carter, a member of the famous Carter family.  She began recording in 1950 so June may have heard Carter on the radio.  It’s more likely that she heard a version by Fran Warren that appears to have been popular in the late 1940s.  Nevertheless, Carter’s version is so beautiful that I have no qualms about linking to it. 

(Tomorrow – I only know I love you.)

© 2011 Lee Price